Architectural sketching remains one of the most powerful tools for exploring, testing and communicating ideas. For Director, Mike Jamieson, drawing by hand is an instinctive process of discovery that allows concepts to develop freely, without the constraints of creating a finished image.
22 July 2026
As an architect, I’ve always found that the best way to explore and communicate an idea is through sketching. Whether it’s an initial concept, a diagram or an artist’s impression, I enjoy the immediacy of putting pencil to paper and seeing an idea take shape. Sketching is a process of exploration and discovery that can happen anywhere, at any time. Each line tests a thought, develops a possibility or helps to explain a solution. There is something instinctive about drawing by hand that can’t be replicated on screen; ideas can evolve freely and unexpectedly, without the constraints of producing a finished image. A sketch doesn’t need to have all the answers – it can be a starting point for a conversation, inviting others to contribute, question and develop an idea further.
At TateHindle, we actively encourage our teams to communicate ideas through sketching. For me, it remains one of the most direct and rewarding ways to think, stimulate discussion and bring people into the design process – where every line has meaning and every sketch has the potential to lead to a better idea.
As we embrace a new world of AI, where photorealistic images are readily available at the touch of a button, I still believe the best ideas begin with a pencil in your hand.